Artavazd Pelechian

Posted by Fabio 8 January 2010

In the early 90s, Artavazd Pelechian made two spiritual films which are among his simplest and most beautiful productions: The End (1991) and Life (1992), Pelechian’s first colour film. Where The End looks towards death, Life is about a birth, consisting mainly of views of a young woman’s face in the throes of labour, her heaving body in its hospital room seen as a changing landscape.