Posted by Fabio 1 October 2010
New Photography 2010 presents four artists- Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross-Ho-whose photographs mine the inexhaustible reservoir of images found in print media and cinema. read more
Posted by Fabio 29 September 2010
Featuring Revital Cohen, Aurèle Sack, Sean Dunne, Eric Yahnker, Penny Davenport, Raymond Cauchetier, Luisa Fici, Posy Simmonds, Luke Seomore & Joseph Bull, Daniel Chester, Silas Money, Sara Muzio, Matthias Hoegg, Anna McGrath..
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Posted by Fabio 28 September 2010
In the early 1990s Eric Rondepierre started exploring the blind spots of cinema. His intervention consisted in choosing frames (the images that are projected at a rate of 24 per second on the screen, and that are invisible in a normal screening) in accordance with clearly defined criteria, and then excerpting them and showing them as large-format photographic prints. read more
Posted by Fabio 23 September 2010
Beautiful images by 16 years old photographer, Jessie Roth. Make sure to check her flicker account here.
Posted by Fabio 21 September 2010
Underwater series by 20 years old french photographer Adeline Mai.
Posted by Fabio 17 September 2010
Julia’s reputation as a fine-art photographer is primarily based on her multiple year, three-part project on teenage girls. Here, she sensitively handles the transition of teenage girls to womanhood, capturing the lives and feelings of young girls as they change from relative innocence to a heightened awareness of their future adult life.
Posted by Fabio 17 September 2010
Influenced by fine art and conceptualism, Giles Revell’s work is an ongoing exploration of the possibilities of graphic, ideas-based imagery and the different ways in which photographic images can imply form, surface or texture via the simplest means. In addition to ‘pure’, traditional photography, Giles’s personal work continues to explore the creative potential of digital technologies. read more
Posted by Fabio 15 September 2010
Misha de Ridder’s works can be seen as attempts to capture the temporary phenomena and atmospheres of nature within the still medium of photography. By seeking for the absence of human intervention, by waiting for the climax of the temporal aesthetic and by pushing the camera to its technical limits De Ridder’s photographs become both exotic reports as autonomous artificial worlds. read more