Magic Highway USA

Posted by Fabio 13 January 2011

An excerpt from the 1958 Disneyland TV Show episode entitled Magic Highway USA. The future does indeed look bright!

Eddy Sykes

Posted by Fabio 13 January 2011

Eddy Sykes is a man of many fascinations. THIS met up with Eddy at his studio in the Frog Town section of LA, where he melds architecture, sculpture, assembly, industrial design and whimsy to craft complex kinetic chandeliers. Via THIS LOS ANGELES

How I met your father

Posted by Fabio 12 January 2011

Ana and Mikel crash into Ana’s bedroom in a flurry of kisses; but when they get down to business Mikel is unable to “perform”. Mikel leaves with a few mumbled apologies and his tail firmly between his legs. Will Ana see the funny side and give him a second chance?
Selected for Sundance Film Festival in 2010. Directed by Álex Montoya.

Álex Montoya

Gabriela Schevach and Ariel Authier

Posted by Fabio 12 January 2011

A selection of work from visual artist couple Gabriela Schevach and Ariel Authier. read more

Cinthia Marcelle – Cruzada

Posted by Fabio 4 January 2011

Brazilian artist Cinthia Marcelle makes films, photographs and installations. Her work is strongly performance-related and uses repetition as an artistic strategy.

Cinthia Marcelle

The Bloody Fish

Posted by Fabio 3 January 2011

A story about a guy who decides to show his love by preparing a special dish. Directed by Dick Chua of D1 Production.

D1 Production

A Fire in my Belly

Posted by Fabio 23 December 2010

A Fire In My Belly (Film In Progress), 1986-87
Super 8mm film, black and white & color, Silent.
Directed by David Wojnarowi.

www.ppowgallery.com

Snow (1963)

Posted by Fabio 22 December 2010

In a mere half-dozen films released between 1959 and 1975, director Geoffrey Jones revealed himself as an outstanding talent, embracing industrial filmmaking as consistent with a personal style, blending movement and sound into a joyous, rhythmic whole. The Oscar-nominated ‘Snow’ is Jones’ masterpiece. It’s crisply invigorating enough to induce brief amnesia about our trains’ notorious inability to cope with the white stuff – then and now.