Not the most exciting place inside, but a lovely rooftop area which not all that many people seem to know about, 2 mins walk from Old St station. If it's packed then The Red Lion is just up the road.
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Red October is a former industrial area in central Moscow that's included a chocolate factory Red October, hence the name. Today it's one of the most flamboyant altough inconveniently located cultural quarters, full of art galleries, bars, fashion stores, a design school, night clubs and edtiorial offices of magazines. The photo (depicting a rather typical business redevelopment on the other shore of the Moskva River) was taken from a terrace that's part of the editorial office of Bolshoi Gorod magazine for which I have the privilege to photograph from time to time.
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Nice store and selection of books. Sorted by COLOR ;)
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One of the most magical places in Wroclaw, just two steps from my studio. Small park in the very centre of the city, quiet and full of greenery. Beautiful in every season and every weather. The old-fashioned merry-go-round reminds me of Paris. Can't imagine my Wroclaw without that spot.
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Strawberry mousse with pistache cream inside, the Saya by Sadaharu Aoki is my favourite cake. Sadaharu Aoki have two patisseries in Paris, 35 Rue de Vaugirard near the Luxembourg park, and 56 Boulevard de Port Royal in the 5 arrondissement.
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When I first moved to New York, enamoured by its parks and museums and design firms and restaurants and bars, I never imagined that there could be much more to its geography than that. How wrong I was. My first drive across the George Washington Bridge was jaw-dropping - the cliffs of New Jersey are astonishingly tall, covered in a dense thicket of trees. But that was just the tip of the iceberg. Drive up 87 to the Catskills or the Adirondacks and you'll witness the Hudson River winding its way through spectacular scenery and unforgiving seasons. Now I can't get enough; just two hours up the road, it's like the city never existed. Perfect recuperation after a long week.
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The only graphic design bookstore in New York City. Shameless plug—it's also my company! Our design office, Order, is operated in the back, in full view of all visitors. Come say hi!
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Healthy desserts without sugar and without white flour.
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Beautiful place, beautiful merchandising, beautiful cosmetics, beautiful clothing, beautiful food...
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For me Amer Fort is a true Gem in this city. Built in the16th century it remains intact. The second courtyard is the most impressive part. I love the mix of white marble, the mirror work and the beautifully arranged garden. On Sundays I often go for tea at Hot Pink on their secret terrace where the view is just breathe taking. And for a true Maharja experience what a great way to end the day by having diner on the private terrace of 1135 restaurant.
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Posted by Howie Tsui
Artengine is a local arts group that produces technologically based presentations. As part of their Electric Fields program, I recently attended Swim Sound – a sound performance at a municipal pool. A percussionist played on a floating platform, while a knob twiddler tweaked and tweezed the inputs coming from drum mics and a couple underwater mics. Too fun with an encore performance possibly happening in the spring!
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Mylène is a French art director, currently based in London. She's currently art director for the books and gifts lists at Laurence King Publishing, part of Orion/Hachette UK.
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Daniel David Kent is an Art Director & Graphic Designer originally from Northern Illinois. Previously from Lancaster, Pennsylvania, he now lives in Philadelphia. Daniel works on projects associated with the arts, fashion, publishing, cultural institutions, and activism. Daniel also runs Ceremonious People, a sporadic publishing project, since 2010. Many of the publications involve collaborations with writers, photographers, and illustrators. The publications are made by hand in small editions. Currently ACD @ Urban Outfitters
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I am a Swedish artist based in London. My work concern interest in restraint related to the body and cultural structures. Ideas of obstruction aim to question how forms and bodies adapt to change, environment and ideals.  I am interested in how a person is shaped by the spaces they have occupied and how a person occupies their own psychological space. With a background in dance, interests in the body and spatiality continue to influence my ideas with focus on balance and repetition. The physical relationship to images are essential in my process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject. I work mainly with the analogue photographic process and sculpture in relation to the image and performance. I enjoy working physically with materials whether they are photographic prints, sculpture or my own physical body as a medium. 
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Copenhagen based interior stylist and set designer
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Jessica is a Creative Director living and exploring in San Francisco, CA
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Documentary director based in London
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I am a multidisciplinary designer, art director, and co-founder of Tabula Rasa Magazine, a non-profit organization, photography, and arts publication established in 2013.
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Jo De Baerdemaeker (typojo) is an Antwerp-based independent Belgian typeface designer and researcher. He holds an MA in Typeface Design and was awarded a PhD from the University of Reading. His interests are designing, researching and writing about world script typefaces (particularly on Tibetan, Lantsa, Mongolian and Javanese), the evolution of Belgian typefaces, and multilingual typography. He is elected Vice-President of ATypI (Association Typographique Internationale) and ATypI Country Delegate for Belgium, currently teaches at LUCA School of Arts (campus Sint-Lucas Gent), and is a guest lecturer at various international art programmes and universities. He was external examiner for ÉSAD (Amiens) post-diplôme students in 2011, and for the TypeMedia 2014 department at KABK (Den Haag). Currently, Jo is Postdoctoral Research Fellow at the Royal Asiatic Society (London).  Jo is a regular speaker at international conferences, and curates exhibitions on type (design) and typography. Apart from designing fonts, Jo also works as a font & typography consultant for companies, holds international workshops on type design, and organises unique Type Walks in Antwerp and other cities in Belgium.  In 2012 he founded Studio Type in Antwerp (Belgium), and collaborates with international design agencies and type foundries, such as: Tiro Typeworks, Type Together, Typotheque, Dalton Maag, Monotype, Microsoft, Google, The New York Times, WIELS, Nottingham Contemporary, Sara De Bondt, Literatuur Vlaanderen, Stad Antwerpen, This is Antwerp, Karel de Grote Hogeschool, Branding Today, Museum Plantin-Moretus, The University of Reading, and Vlaamse Overheid. Jo was awarded the first honorary title ‘New Flemish Master in Fine Arts’ by Sven Gatz, Minister of Culture from Flanders, during the Henry van de Velde Awards in Bozar (Brussels) on January 19, 2017.
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Emma Brennan is a multi-disciplinary designer at frog. She investigates and prototypes with unique mediums to explore how they can produce new forms of communication and systems. Her work has ranged from designing technical data visualization tools to running workshops that support patients with postpartum depression. She's contributed to hybrid experiences, strategy, and product design for companies such as eBay, Data & Society, JPMorgan Chase, and AT&T. Previously, she built a design practice within the U.S. Census Bureau’s Innovation Lab. As a UX designer & Civic Digital Fellow, she helped develop programs, digital products and community engagement to ensure government services meet the needs of the public.
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Fanny Brandauer is a landscape architect and landscape curator based in Berlin, Munich and Vienna. Her work is characterized by its transdisciplinarity, exploring the intersection of landscape architecture, fine arts and the curatorial field. She predominantly investigates and reflects on how landscape can be displayed and sensually perceived in interior exhibition spaces, art and cultural spaces.
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Mane Tatulyan (July 8, 1993) is a writer and MA in Applied Philosophy at the Autonomous University of Barcelona. Throughout her life, design meant a way of ordering the world, and writing, of understanding it. She is the author of the book The Radical Singularity: Essay on Singular Phenomena and a professor of philosophy at various institutes in Latin America. Today she intends to rethink Humanism by proposing a new reading of the modern tradition, under a fundamental premise: that the future does not design humans, but that we design a more humane future.
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Veronica Martin is a writer based in Portland, Oregon. Her interest in the historical leads her to work with archival material (objects, ephemera), and to research gestures of the past (how people dressed, prepared food, etc., movements lost as technology and tastes changed), examining how this ecology of the past appears and asserts itself here and now. Her poetry and essays have appeared in Vestoj, Kinfolk, Hesperios Journal, Design Week Portland, and other publications. In 2014 she wrote and edited a column for Tin House’s blog, The Open Bar, about the intersection of fashion and literature, called Your Slipcase is Showing.
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