Coffee roastery, café, pizzeria and cocktail bar inside an old warehouse just around the corner from Broadway Market.
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Tynemouth is 20 minutes from the city on the metro. It also has a great antique and farmer’s market at the weekend in the metro station. But the main draw of Tynemouth is the first of a beautiful stretch of sandy beaches which are never crowded. It reminds me of Australia. All the dogs look so shiny eyed and happy. How did they keep this place such a secret?
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The ISBN is a contemporary art bookstore and a gallery space. Their goal is to map, collect, exhibit and distribute the domestic and regional, Hungarian and foreign language, new and second-hand contemporary art publications, exhibition catalogs, zines, art books, photobooks and theoretical publications. Publications like Migrant Journal, for example, are only available to get here in the country.
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It's an indoor market, which makes it a great option in winter if you are looking for anything from kitsch to classy. I like it because you find lots of old objects that transport you to the past.
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Site specific architecture piece Deltawerk located in Flevoland by RAAAF | Atelier de Lyon, 2018
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Having spent many years studying there, I have a soft spot for Central Saint Martins, which finally closed in September 2011 when the college relocated to Kings Cross. Despite being such a dive, the old building had such history and character and I grew very fond of its tatty charms. As plans for its take over by Foyles bookshop go ahead, I look forward to having a coffee in the new building's cafe when it re-opens.
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Very nice and cozy pub in the heart of Cologne’s Südstadt. Apart from the magnificent Kölsch (“offering a smooth journey of sensations that may be unremarkable individually but are extraordinarily pleasant as an ensemble”—The New York Times) they have a great program of life music and local DJ's.
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Posted by Albert Moya
When I have a bit of money I like to go there with friends to celebrate our happiness and miseries.
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For oysters & libations. The comprehensive oyster menu changes depending on what they can get that's fresh. If you know anything about oysters or just plain like them, this is without question the spot. Currently my favorite oyster (not always on their menu) is the Skookum.
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Small bay in the city. When the tide's out, you can walk right around to the rock pools.
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An intimate design school based in The Old Biscuit Mill in Woodstock, offering BA degree's in Interaction, Audiovisual and Communication Design.
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Amsterdam based illustrator Sue Doeksen (1982) creates worlds that are overpopulated with bright colors, friendly shapes, layered or light concepts and hidden jokes. Mediums ranging from physical, digital, pencil-drawn, paper-cut, and animated. Juggling commercial and personal project balls she is often overwhelmed because there are so many visual adventures to be made at the same time and therefore wishes there were just many more hours in a day.
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Figurative painter living and being inspired by the beautifully wild Pacific Northwest.
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Qingyu Wu (Q) is an award-winning designer, krautrock lover, and cult film dedicated fan based in New York City. Qingyu holds a BFA in Graphic Design from Virginia Commonwealth University and an MFA in 2D Design from Cranbrook Academy of Art. Her work has been recognized by the American Institute of Graphic Arts (AIGA), the Type Directors Club (TDC), and China Graphic Design Association (CGDA). Featured by AIGA Eye on Design, It's Nice That, People of Print, Ficciones Typografika, Women of Graphic Design and more. Qingyu received the Golden Award at The A' Design Award & Competition 2018, Gold Award from CGDA 2017 Graphic Design Academy Award, and Certificates of Typographic Excellence Award from TDC 64. She has lectured at the Art Center College of Design, Parsons School of Design, and Pratt Institute.
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artist/creative director
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Born and raised in Cardiff, James Davies is a photographer who has lived in London for 13 years. His work centres around the impact of the city upon its citizens and its citizens upon the city, as well as the wider social, economic and political themes that affect daily life in Britain. His most recent series, The Sclerosis of Existence, looks to explore the relationship between the people and the places of a city when seen through the repetition of daily routine.
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Zagreb born, New York based creative with 15 years of experience in design and visual storytelling for variety of clients in arts/non-for-profit and commercial industries, as well as startups and small entrepreneurs. Major passions: nature, travel, food, communal meals.
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STUDIO HELDER is an Antwerp-based design platform, founded by Diana Keller and Brecht Baert in 2010. We’ve designed interiors for private housing, showrooms and workspaces, we give advice, organise workshops and host exhibitions and events. In our store we show objects we designed ourselves as well as furniture, jewelry, accessories and other items made by upcoming, talented artists from all over the world. In everything we do, as diverse as our occupations are, some things are always present: We care about subtlety and creativity. We’re endlessly fascinated by the little nuances and changes that turn something ordinary into an inspiring and beautiful object. To quote the brilliant philosopher ‘Lorax’ from Dr. Seuss: “It’s not about what it is, it’s about what it can become.”
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simple lines and a dash of wit.
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Illustrator and Print designer since 2006. I have created illustrations for Anaya, Sm, Hyperion Books, The New York Times and some others clients.
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COLOR / STORY Brandi Katherine Herrera is a multidisciplinary artist, poet, and translator, whose work in text, image, and sound explores the poetics of space. She is the author of Mutterfarbe, a full-length work of color theory, experimental translation, photography, and poems using Johann Wolfgang von Goethe’s Zur Farbenlehre as a primary source; and Natürlicher, a chapbook-length work of color theory, experimental translation, and poems (both Broken Cloud Press, 2016); a co-author of MAR, a collaborative artist book + limited-edition chapbook of photography, marrings, and poems (Lute & Cleat, 2018); and the co-editor of The Lake Rises, a Witness Post Series anthology of poems (Stockport Flats, 2013). Her work is held in the Seattle Art Museum’s permanent collection, Yale University’s Faber Birren Collection of Books on Color, UCLA’s Louise M. Darling Library, University at Buffalo’s Poetry Collection, and Reed College’s Special Collections & Archives, and has been featured in a number of solo + group exhibitions, performance series, and publications, including: the Seattle Art Museum, Cube Gallery, 23 Sandy Gallery, Creative Mornings, Poetry Press Week, Pure Surface, The Volta, Octopus Magazine, The Common, Poor Claudia, Word/For Word, Thru Magazine, Borderlands Texas Poetry Review, and Womenspeak PDX.
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Eric is a Youngstown, Ohio born – Brooklyn, New York based artist and designer. His work explores the idea of networks and systems through the synthesis of fundamental design elements, geometry and abstraction. He’s obsessed with technology, maps, data visualizations, information graphics, technical diagrams, infrastructure, architecture and complexity - all of which informs his work. He loves cities, nature, and great food.
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Creative and maker in various fields. Design, music, publication, performance.
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Graphic designer from London, currently living in Sydney, Australia 
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Illustrator and designer Melvin Galapon was born in the South of England in 1981, yet hails from Burnley a small town in the Northwest of England. A graduate from Central St. Martin’s he has worked with the likes of Wallpaper*, The New York Times, Nike and Nokia to name but a few. He has been featured in various magazines worldwide and has exhibited in Tokyo, London and Singapore. Galapon is currently based in London where he works on a prolific mix of Illustrations, Installations and Design work.
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